The aim is to provide a larger stage to these talented rural women. A stage where these women under expert guidance will step into the bigger world of business. The genesis of the idea was sown in July 2017. The country was first divided into four regions - Rajasthan, Bengal, Gujarat and Puducherry and an assessment process was carried out to select USHA Silai School women, from these locations, who matched a pre-decided criteria. In order to assist women to produce high-quality garments that echoed the ethos of the four regions, one fashion designer was assigned to each region.This year, we have fashion designers and experts with whom we are trying to identify the latent potential of the women who have already received training in sewing, said Dr. Priya Somaya, the Executive Director of USHA Social Services.
Assigned to Gujarat, Mr Dave took inspiration from the black sewing machine to conceptualise his clothing line. Working simply on human energy and not electricity, the black foot sewing machine stands as the most sustainable way to make garments in his opinion. Thus, his region would most likely highlight inspiration from the basic black color to minute details of the equipment.What excited me the most was the opportunity to work at the grass root level and assisting in refining the raw skills of these women, said Soham Dave, designer and owner of a fashion brand.
Hesitant at first about the skill levels of these women, the duo were surprised to see the enthusiasm and desire to learnWe were amazed to know that the USHA Silai School programme has been going on for so many years and has helped many women earn their livelihood from it, said Mr Vijaya.
Their final collection has drawn inspiration from the traditional poshak of Jaipur and deconstruct the look to present a collection of chic secedes.For us, it was really exciting to hear about the underground culture of training women in tailoring. So, we said 'yes' to the opportunity of working with them, he added.
Being assigned to West Bengal, Mr Sarkar's final collection might be an amalgamation of Indian and western silhouettes. As his collection primarily uses a lot of fabric base like khadi, jamdani, and motif weave while incorporating floral motif prints, embroidery and texture to the attires, it would be a nice surprise to see what his group brings to the runway.We divided our group in three sections. First of those who are skilled in stitching and can do intricate work, second of those who are fast in stitching and can do lengthy work and finally third is the hand embroidery group, said Sayantan Sarkar, designer and owner of the Sayantan Sarkar Design Studio in Kolkata.
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